A sculptural object. Made to hold its place.
MONOLITH STUDY. 1
The Object
Each Monolith is formed as a singular volume.
There are no applied surfaces, no decorative finishes.
Only the interaction between material, pigment, and process.
Subtle marbling and tonal variation occur naturally during casting.
No two pieces resolve the same.
Monolith Study 1 is produced in small, evolving batches.
Future iterations explore new tones and surface variations, while maintaining the same underlying form.
- KIM GUSELI, MAKER
WHAT MAKES IT DIFFERENT
Material & Process
Each piece is resolved through a process of casting, sanding, and refinement.
01
Each piece is hand-cast, then refined and sealed in the studio.
02
The final surface is not polished to perfection.
03
It retains subtle evidence of its making.
This is an ongoing study, not a finished collection.
STUDIO SELECT
Choose the exact piece that speaks to you.
Because no two pieces are the same, Studio Select allows you to view every available piece and choose the one that feels like yours.
A private 10-minute appointment, by video or in-studio. No pressure. Just you and the work.
1. Book your time
A small $10 booking fee applies; fully redeemable on purchase.
2. View the collection
See exactly what's available and find your piece.
3. Take it home with certainty.
No guesswork. Just the one that feels like yours.
$10 booking fee, fully redeemable on purchase.
STUDIO
Hervey Bay, Queensland, Australia
THE MAKER
Made by hand. Always.
I’ve been making objects for as long as I can remember. Not because I had to, but because I can’t imagine not doing it.
Each piece begins as a simple form, then evolves through casting, where colour and material move in ways I can’t fully predict. That moment still feels new every time.
I want these pieces to feel lasting. Something you return to. Something that holds its place in a space, quietly becoming part of it.
No factory could make what I make. That’s the point.